As an indescribably devoted fan of Leonard Cohen's work I couldn't believe some of the shite he was coming out with. Sometimes he can't see the forest for the trees - just like with his opinions on violent video games. He hears one negative thing, forms a snap opinion, and uses his skill as a debater to defend it to the death no matter what contrary opinions arise.
He played Suzanne (or rather Left-wing Laurie did) and George faded it down and said the lyrics were jibberish. I can't find anything jibberish about them. They're about a wonderful and scatty peacenik poet that Leonard met when he was younger who would take him out for picnics with tea and fruit. It's a song celebrating beauty and spiritual philosophy.
And perhaps more pertinently: so what even if the words were jibberish? Since when has that been a valid put-down in musical art? By the same false rationalle one could cite "I see a little silhouetto of a man // Scaramousche, scaramousche, will you do the fandango?" to declare that Freddy Mercury was crap. But one would be laughed down by those who know better that Queen was one of the best rock bands ever to exist.
I wish I'd been listening to the show as it went out live, because I'd have emailed in and corrected him on something else, too. He read out an email or text from someone who said that Cohen once shared a brandy with Ariel Sharon. Of course, GG wasted no time in quipping "I always thought there was something dark about him."
What he is completely ignorant of is the fact that whilst Leonard certainly did play some acoustic sets for the Israeli armed forces during Yom Kippur, he was very torn on whether to do it or not. He is neither pro-Zionist nor specifically pro-Palestine. He has even written about his experiences after meeting Sharon (a meeting he did not ask for, by the way - Sharon was a fan and insisted) and how he was incredibly disheartened by the treatment he witnessed by the IDF of Arab captives and he has also written of his hope for an end to the conflict.
After his return from Israel in the 70s he wrote a song that dealt in part about the plight of the Palestinian people at the hands of the Zionist state called "Lover, Lover, Lover" in which he writes (of his Judaism):
In September of 2001, Cohen said in a political interview:I asked my father
I said "Father, change my name"
The one I'm using now is covered up
With filth and fear and cowardice and shame
"Let me start again" I cried
"Please let me start again
I want a face that's fair this time
I want a spirit that is calm"
To my ears those are not the words of some rabid Zionist. Certainly, as a French Canadian Jew, he's bound to have stronger feelings about Israel than most people who frequent this forum (that's faith indoctrination that anyone of any religion gets) - and I'd love to hear him challenged on them - but I find him a very progressive, kind and thoughtful representative of a Jewish viewpoint.Considering the present administration and its policies, Israel is somewhat of a priority on my mind. Last week I was reading the Quran and it speaks of reconciliation, of peace, of compassion. I have hope that there will be a solution, although I don't know what that would be. I know that it is tragic; that the Palestinians need to have a place to live, as do the Jews. The problem is their belief that God has commanded them both to live on the same site.
Also, politics aside, I don't find his music, his novels or his poems to be depressing. They are life affirming and full of honesty and love.
As Nick Cave has pointed out in one of his lectures, only fools and hacks write love songs without also addressing the melancholy. Otherwise the attempt is self-delusionary and an exercise in twee tokenism.